Inspiration for our living room. / Inspiracja dla naszego salonu.
Full post and pics:
Flat of the day / Mieszkanie dnia
Tag: grey
Bedroom in jewel tones / Sypialnia w kolorach klejnotow
As you know, we’ve recently bought a brand new flat, which now looks about that:
Here you see a pond that’s just being created (from our bedroom balcony):
Since we’re planning to have it liveable very very soon, I spend my every waking moment designing, planning, looking for inspiration, ordering, changing, and convincing my husband (that’s the most time consuming part).
So today, let me share with you what will (almost certainly – see above: husband problems) become the color scheme for our main bedroom:
Generally, we plan on jewel tones (turquoise, teal, jade), with background of grey, cappucino, gold and/or black, and possibly accents of rich purple in accessories.
What do you think? Do you have any experience of living in dark spaces?
——–
Jak wiecie kupilismy niedawno nowe mieszkanie, w stanie deweloperskim (zdjecia powyzej).
Poniewaz planujemy mieszkanie doprowadzic do stanu uzywalnosci juz bardzo niedlugo, aby je jak najszybciej wynajac, praktycznie kazdy swiadomy moment spedzam obecnie na wyszukiwaniu, wybieraniu, planowaniu, projektowaniu, zmienianiu, zamawianiu i przekonywaniu meza (to akurat zajmuje najwiecej czasu 🙂 ) w ten weekend planujemy zdecydowac sie i zamowic wiekszosc sprzetow, mebli i oswietlenia do domu.
Powyzej moje inspiracje sypialniane. Jak widac, glownie ciemne, glebokie kolory klejnotow (jak to po polsku nazwac? jewel tones?) – turkus, szafir, szmaragd. Do tego szary, cappuccino i/lub zloty. Ewentualnie czarny ale obawiam sie jak taki kolor zachowuje sie w eksploatacji. No i zupelnie w ostatecznosci ciemny fiolet / purpura, moze jako przeciwstawne dodatki do turkusow.
…..co myslicie? Moze jakies inne inspiracje? Macie doswiadczenia z ciemnymi pokojami?
Yellow bedroom part2 / Zolta sypialnia-czesc2
Another design for the yellow bedroom – all in all (together will wallpaper not shown) I managed to keep cost down to minimum, not compromising on looks or comfort. We’ll see what the clients will say (after getting a cleaner version). I used the ‘Meduza’ lamp I wrote about after my trip to Poland.
Since I’m dead and really need some sleep, that’s it for now 🙂
——
Kolejna wersja zoltej sypialni – z uzyciem lampy Meduza o ktorej juz pisalam. Poniewaz padam ze zmeczenia, na dzis tyle, chetnie uslysze komentarze 🙂
:: 
:: 
:: 
:: 
:: 
:: 
:: 
:: 
:: 
Color scheme in interior design / Schematy kolorystyczne a projektowanie wnetrz
Oh my goodness… you cannot imagine how busy I was over the recent weeks – both at work and at home; then I was away; but most importantly, with my new school – the assignments are so extensive, I am basically spending every single free minute on them; at some point a few days ago I just could not look at my inspiration boards anymore, I saw them and edited them and reworked them so many times! I finally have submitted them though…
Anyway, one part of the assignment was to prepare color schemes and find inspirational images that work with the schemes. I was to prepare one board for each of the classic sets: monochromatic, harmonious and complementary, bearing in mind that one of them was to use a historical color palette.
So here are the results, and a bit of color theory you can use with your interiors:
- Monochromatic color scheme – blues:
This monochromatic scheme was created using the family of blue tints, tones and shades; my foremost inspiration came from nurseries which I think look lovely in blue (generally bedrooms look pretty in monochromatic schemes too). Contrary to popular belief, monochromatic does not mean black&white, but simply of one (any) colour. In interior decorating and design, this is extended to mean all the tones, not just the pure hue.
Such a scheme is very safe, and can be pretty boring or even overwhelming (e.g. all-red room). To ensure the space is still interesting, one should use contrasting tones – if big surfaces are soft or pastel (even tinted white), it is worthwhile making the accents (cushions, throws, rugs, accessories) darker. Also, remember that color reception varies with texture – therefore use different materials, tactile fluffy or porous fabrics and employ luminosity of paint or objects, by contrasting matte and shine, transparent and opaque, and finally with design…
- Harmonious color scheme, using a 19th period color palette:
Harmonious color schemes are probably the most popular. Easy to achieve with fool-proof rules, they provide more interest than the monochromatic scheme. However, because of its popularity, the scheme can now seem bland if applied without thought, and actually some neighboring colors get on better together than others (e.g. reds and violets is a pretty tricky combination…) and if you’re going as far as mixing colours from both sides of one main hue (like red purples and red oranges), you really should include that main hue (red) to make them work together!
This particular scheme was even trickier than the others as it required using a historical color palette. It’s good to know that there are companies which still manufacture paint, fabrics and wallpaper employing authentic historical techniques, materials and designs. It’s important not only to give the room an authentic feel; rather such materials work best when restoring old houses as they blend better and work properly with older surfaces (crucial for paint). They also often have visibly different finishes (you can order free samples to see for yourself) which add to the quality and authenticity of the restoration project. Just remember – such materials are never cheap, nevertheless worth their price.
The scheme on the board concentrates around a beautifully ornamental Lotus BP 2048 wallpaper from Farrow & Ball (a great company for authentic materials), drawn from 19th century French archives and influenced by the Arts & Crafts Movement . I complemented it with muted tones and shades of paint such as Ball green 75, Green smoke 47 and Parma gray 27 in traditional finishes: limewash, dead flat oil, and eggshell (depending on location – interior or exterior, and surface – walls, woodwork, metal).
Put together, this scheme is very sophisticated and elegant, and adaptable to rooms of any function, as you can see on the inspiration photos (halls, living rooms, bathrooms). Interestingly, the scheme not only works well in period interiors, but also in modern ones, especially minimalist (see the bottom-right bathroom).
- Complementary color scheme using purples and yellows:
The most dramatic choice, the complementary scheme marries colours lying opposite each other on the colour wheel. While a risky choice and demanding a lot of careful analysis and design, this scheme can be very rewarding through creation of outstanding statement interiors.
Yellow and purple, as used on this board, have actually made their way into many interiors nowadays (I love this match!), but the general rule is to carefully balance colours and tones, choosing one as a basis and the other solely in accessories. Also, for a more subtle and glamorous version, you could replace yellow with gold and shimmers. The strongest version (i.e. with both colours on big surfaces) will work well in halls, waiting rooms and guest bathrooms – but if you like it, use it anywhere you want – after all, rules are there to be broken :).
I will show you the inspiration boards later on…but in the meantime welcome comments both on these particular schemes, and also on your opinion on schemes and rules in color – do you follow them? How?
———-
Powyzej prezentuje jedno z zadan ktore w koncu ukonczylam i dostarczylam w piatek… zajmowaly mi doslownie kazda wolna minute w ciagu ostatnich paru tygodni! Celem zadania bylo stworzenie trzech tablic przedstawiajacych podstawowe schematy kolorystyczne – monochromatyczny (oparty na jednej rodzinie odcieni, np. fiolety), harmonizujacy (laczacy kolory lezace obok siebie na kole barw, np. zolcie, pomarancze i czerwienie) i dopelniajacy / kontrastujacy (wykorzystujacy kolory przeciwlegle, np. zielony i czerwony), a do jednego z nich miala zostac uzyta historyczna paleta kolorystyczna z wybranej epoki. Wyniki zobaczyc mozna zobaczyc powyzej, a paleta historyczna ktora ‘wystapila’ na tablicy to XIX-wieczna Francja z wplywami Arts & Crafts movement (ruch ktory glosil sztuke uzytkowa bedaca jednak absolutnie piekna, czescia tego ruchu byli prerafaelici).
Pierwsza tablica pokazuje niebieskosci ktore tak bardzo pasuja do sypialni dzieci, ale takze doroslych – takie schematy sa delikatne, ale pojawia sie ryzyko nudy ktoremu nalezy przeciwdzialac poprzec uzycie roznorakich odcieni, materialow, powierzchni, wzorow oraz matu i polysku. Kolory harmonizujace przestawione sa jako matowe zielenie i zolcie, mocno przytlumione dodatkiem szarego (podstawa do tego schematu byla przepiekna tapeta Farrow & Ball ) – te historyczne kolory dodadza kazdemu pomieszczeniu ponadczasowej elegancji, a pasuja nawet do nowoczesniejszych, zwlaszcza minimalistycznych wnetrz (patrz lazienka w prawym dolnym rogu). Ostatnia tablica pokazuje najbardziej dramatyczne i ryzykowne, ale jak wspaniale kontrastowe polaczenie zolci z fioletami, ktore polecam zwlaszcza do mniej uczeszczanych pomieszczen typu hol, poczekalnia, moze goscinna lazienka (acz to oczywiscie zalezne od preferencji).
Niedlugo pokaze rowniez tablice inspiracyjne ktore stworzylam do innego zadania, a w miedzyczasie zapraszam do komentowania moich schematow, ale tez schematow ogolnie – czy dalej je stosujecie? Ktore lubicie? Jak wykorzystujecie tradycyjna teorie koloru?
:: :: :: :: :: :: :: :: ::
Pink bedroom – part 3 / Rozowa sypialnia – czesc 3
I have read the comments to the first draft of the room – thanks a lot! Before I move on to implementing the comments, let me share with you a few other visualizations which due to some glitch were rendered only today. This means they were still created before feedback so bear with that.
- This version – with light grey glamour wallpaper – is even more muted than the previous one. Alex suggested she really wants to avoid a dark room, so this one is probably even lighter.
- This is how the other side of the room could look:
- Finally, this is a more chic version – tribute to Audrey Hepburn whom Alex loves and already has some accessories with her image! This time I am not shying away from pink or violet – on the contrary, they are enhanced by bold wallpaper and striking Audrey rug – but because of various textures, they still work well together and say – I know what I’m doing – I wanted it so pink!
The next version will:
- have darker floor (as I was just advised)
- possibly have different color accents
- have an armchair as Alex is pretty convinced this is what she wants.
——–
Dziekuje za komentarze na temat pierwszej wersji sypialni Oli. Zanim jednak zajme sie nowymi wersjami, podziele sie z Wami jeszcze dwoma propozycjami ktore powstaly w tym samym momencie co ta pierwsza jednak z powodu jakiegos bledu technicznego zostaly zrenderowane dopiero teraz.
Poniewaz sa to wersje z ‘wtedy’, nie odpowiadaja jeszcze na komentarze. Jedna z nich jest jeszcze jasniejsza niz ta pierwsza (Ola bardzo nie chce ciemnej sypialni wiec byc moze ten jasny szary bedzie lepszy niz wersja z Fornasettim), gdzie wzor tapety i dywan nawiazuja do siebie w stylu glamour.
Druga wersja jest intensywniejsza kolorystycznie niz kazda z poprzednich i nie ucieka od rozu i fioletu – wrecz przeciwnie, powtarza je, ale dzieki zastosowaniu roznych faktur wszystko sie ze soba zgrywa. Ta sypialnia to trybut dla Audrey Hepburn ktora Ola uwielbia i ma juz z jej podobizna kilka dodatkow!
:: :: :: :: :: :: :: :: ::
First draft of the pink bedroom / Pierwsza probka rozowej sypialni
Three posts ago I let you know that I am about to design a bedroom for a 20-year old, with one constant: pink walls with purple accent. I know also what pieces of furniture Alex has and needs to keep and what else she’d like to see.
Important note: This is an attic room. This software does not support slanted walls, though, therefore I only had to assume it in my calculations… the slanted wall is the one on the left of the rendering (where the bed is), not shown. Try to imagine that if it did show, it would finish around 10-20cm from the window.This is why I have not put any wardrobe etc there – as there simply is no space 🙂
Here is the first sample of what I am thinking of:
In this version, I tried to downplay the pinky aspect of the room by glueing the Fornasetti – themed wallpaper on the wall opposite entrance to the room. This way the first impression is of a striking design, and the pink is very much in the background. Since the wallpaper has such muting tremendous effect, I allowed myself to bring pink out again with a few accessories.
I have chosen white as the classic color that goes well with pink; this, paired with crystal wardrobe knobs and stylized chaise strenghtens the room’s femininity.
Here are the potentially contentious items:
- white furniture; the set at hand is light wood, so either needs repaining (recommended) or can stay as is, but this will downplay the room from the delicate glamour to a more contemporary look. Handles ideally would be changed to crystal in this version too.
- chaise longue; more expensive than an armchair and also blocks direct access to the window. However, it complements the look beautifully and gives it a relaxed and luxury feel. Will try to use an armchair in the next one, though.
All comments welcome.
———
Trzy posty temu napisalam ze zaczynam wlasnie prace nad projektem sypialni 20-latki. Pokoj ma rozowe sciany z fioletowym akcentem pod skosem. Wiem juz tez jakie meble sa dostepne, i co ma sie w pokoju znalezc.
Uwaga: jest to pokoj na poddaszu, ale niestety program ktorego teraz uzywam, MyDeco, nie pozwala na skosy. W efekcie musialam ten skos widziec po prostu w glowie, ale juz mowie – skosna powinna byc sciana po ‘lewej’ ktorej nie widac na zdjeciu (ta przy ktorej stoi lozko). Gdyby ta sciana tam byla, skos konczylby sie 10-20cm przy oknie, czyli nie da tam sie nic wysokiego postac (w razie gdybyscie sie zastanawiali).
U gory znajduje sie pierwsza probka. W tej wersji staralam sie zminimalizowac wplyw rozu na pokoj, przykrywajac sciane tuz naprzeciw wejscia wzorzysta szara tapeta z wzorem Fornasetti – dzieki temu, ta sciana przyciaga wzrok tuz od wejscia, odsuwajac roz na drugi plan. Tapeta ta jest w tym zadaniu tak efektywna, ze pozwolilam sobie znow wyciagnac rozowy na wierzch dzieki akcentom, jak poduszki.
Pokoj dopelniony jest bialym; dzieki temu, a takze krysztalowym galkom w szafie i stylizowanym szezlongu, pokoj pozostaje bardzo kobiecy.
A teraz punkty potencjalnie sporne:
- biale meble – w tej chwili meble Oli sa jasno drewniane. Proponuje przemalowanie ich na bialo dla uzyskania odpowiedniego efektu, jednak moga pozostac tez takie jakie sa – wtedy niestety stracimy troche ‘glamour’ na rzecz prostszego wnetrza. Krysztalowe galki dalej na liscie zakupow!
- szezlong – wady: drozszy oraz troszke blokuje dostep do okna. Jednakze jest tak stylowy i wygodny i dopasowany do ogolnego wystroju, wprowadzajac element luksusu, ze naprawde szkoda byloby z niego rezygnowac. Jednak uzyje takze foteli do innych probek.
Komentarze wszelkiego rodzaju mile widziane.
:: :: :: :: :: :: :: :: ::
Interior Design inspirations by Indywiduum Design 